Komt 'ie. Overtuigende nr. 1 en slechts één (Kiss Me Deadly) die op alle lijstjes voorkwam.
Uiteindelijk 12 lijstjes ontvangen (incl. de mijne) met in totaal 223 genoemde films van: Tolpol Cobra Evidence Dr. Strangelove Maikel_1981 Indy Goes Bananas El Chivo Kaj Jelger Buzzmeekz MvdH Camera Obscura
Notering, titel (regisseur, jaar), punten (aantal keren genoemd)
1. Vertigo (Alfred Hitchcock, 1958), 461 (10) 2. Touch of Evil (Orson Welles, 1958), 416 (11) 3. Sunset Blvd. (Billy Wilder, 1950), 405 (9) 4. Rear Window (Alfred Hitchcock, 1954), 383 (10) 5. Night of the Hunter (Charles Laughton, 1955), 380 (11) 6. Sweet Smell of Success (Alexander Mackendrick, 1957), 378 (10) 7. Singin’ in the Rain (Donen, Kelly, 1952), 372 (9) 8. Seven Samurai (Akira Kurosawa, 1954), 363 (10) 9. North By Northwest (Alfred Hitchcock, 1959), 334 (8) 10. Paths of Glory (Kubrick, 1957), 318 (9) 11. Ace in the Hole (Billy Wilder, 1951), 299 (8) 12. Kiss Me Deadly (Robert Aldrich, 1955), 291 (12) 13. Some Like It Hot (Billy Wilder, 1959), 269 (8) 14. Rififi (Jules Dassin, 1955), 251 (7) 15. The Killing (Stanley Kubrick, 1956), 239 (8) 16. On the Waterfront (Elia Kazan, 1954), 231 (6) 17. In a Lonely Place (Nicholas Ray, 1950), 230 (9) 18. All About Eve (Joseph L. Mankiewicz, 1950), 219 (7) 19. Anatomy of a Murder (Otto Preminger, 1959), 206 (6) 20. Strangers on a Train (Alfred Hitchcock), 205 (7) 21. Wild Strawberries (Ingmar Bergman, 1957), 191 (6) 22. Night and the City (Jules Dassin, 1950), 186 (6) 23. 12 Angry Men (Sidney Lumet, 1957), 179 (6) 24. The Gunfighter (Henry King, 1950), 174 (5) 25. Rebel Without a Cause (Nicolas Ray, 1955), 172 (6) 26. Touches pas au grisbi (Jacques Becker, 1954), 170 (6) 27. The Big Heat (Fritz Lang, 1953), 168 (6) 28. Tokyo Story (Yasujiro Ozu, 1953), 167 (6) 29. Ugetsu (Kenji Mizoguchi, 1953), 159 (5) 30. Les 400 coups (François Truffaut, 1959), 158 (5) 31. Le salaire de la peur / Wages of Fear (Henri-Georges Clouzot, 1953), 143 (8) 32. Bigger than Life (Nicholas Ray, 1956), 140 (4) 33. Written on the Wind (Douglas Sirk, 1956), 138 (4) 34. Ikiru (Akira Kurosawa, 1953), 133 (4) 35. Sansho the Bailiff (Kenji Mizoguchi, 1954), 127 (4) 36. The Asphalt Jungle (John Huston, 1950), 124 (4) 37. Rio Bravo (Howard Hawks, 1959), 122 (5) 38. Les diaboliques (Henri-Georges Clouzot, 1955), 118 (5) 39. A Man Escaped (Robbert Bresson, 1956), 117 (5) 40. Winchester ’73 (Anthony Mann, 1950), 113 (7) 41. The Searchers (John Ford, 1956), 111 (6) 42. Pickpocket (Robbert Bresson, 1959), 107 (4) 43. Bob le flambeur (Jean-Pierre Melville, 1955), 106 (5) 44. The Human Condition: The Road to Eternity (Masaki Kobayashi, 1959), 106 (3) 45. Johnny Guitar (Nicholas Ray, 1954), 105 (5) 46. Pickup on South Street (Samuel Fuller, 1953), 97 (4) 47. Dial M For Murder (Alfred Hitchcock, 1955), 96 (4) 48. Invasion of the Body Snatchers (Don Siegel, 1956), 95 (5) 49. All That Heaven Allows (Douglas Sirk, 1955), 94 (3) 50. Madame de… (Max Ophüls, 1953), 94 (2)
51. The Man From Laramie (Anthony Mann, 1955), 90 (3) 52. Ordet (Dreyer, 1955), 90 (3) 53. A Streetcar Named Desire (Elia Kazan, 1951), 89 (4) 54. Throne of Blood (Kurosawa, 1958), 89 (3) 55. The Narrow Margin (Richard Fleischer, 1952), 88 (4) 56. Roman Holiday (William Wyler, 1953), 87 (4) 57. Umberto D. (Vittorio De Sica, 1952), 80 (3) 58. The Cranes Are Flying (Mikhail Kalatozov, 1957), 79 (3) 59. The Human Condition: No Greater Love (Masaki Kobayashi, 1959), 79 (2) 60. A Star Is Born (George Cukor, 1954), 78 (2) 61. Ascenseur pour l’échafaud (Louis Malle, 1958), 77 (4) 62. The Bad and the Beautiful (Vicente Minelli, 1952), 74 (3) 63. La strada (Federico Fellini, 1954), 71 (6) 64. Nuit et brouillard (Alain Resnais, 1955), 71 (3) 65. Will Success Spoil Rock Hunter? (Frank Tashlin, 1957), 65 (4) 66. Kanal (Andrzej Wajda, 1956), 62 (2) 67. High Noon (Fred Zinnemann, 1952), 61 (4) 68. Gentlemen Prefer Blondes (Howard Hawks, 1953), 60 (4) 69. Rashomon (Akira Kurosawa, 1950), 59 (3) 70. Pather Panchali (Satyajit Ray, 1955), 59 (2) 71. Der Verlorene (Peter Lorre, 1951), 59 (2) 72. Giants & Toys (Yasuzo Masumura, 1958), 58 (2) 73. The Girl Can’t Help It (Frank Tashlin, 1956), 56 (2) 74. Night of the Demon (Jacques Tourneur, 1957), 53 (2) 75. Ride Lonesome (Budd Boetticher, 1959), 52 (2) 76. An American in Paris (Vicente Minelli, 1951), 51 (1) 77. Man of the West (Anthony Mann, 1958), 50 (2) 78. Witness for the Prosecution (Billy Wilder, 1957), 50 (2) 79. The Lavender Hill Mob (Charles Crichton, 1951), 48 (3) 80. Les vacances de Mr. Hulot (Jacques Tati, 1953), 48 (2) 81. The Bridge on the River Kwai (David Lean, 1957), 47 (3) 82. Jalsaghar / The Music Room (Satyajit Ray, 1958), 47 (2) 83. Some Came Running (Vincente Minelli, 1958), 47 (2) 84. East of Eden (Elia Kazan, 1954), 46 (2) 85. The Court Jester (Melvin Frank & Norman Panama, 1956), 46 (2) 86. Anatahan (Josef von Sternberg, 1953), 46 (1) 87. Forbidden Planet (Fred M. Wilcox, 1956), 45 (3) 88. Ben-Hur (William Wyler, 1959), 45 (2) 89. Big Deal on Madonna Street (Mario Monicelli, 1958), 45 (2) 90. Early Summer (Yasujirô Ozu, 1951), 45 (1) 91. The Band Wagon (Vincente Minelli, 1953), 43 (2) 92. Rally ‘Round the Flag Boys! (Leo McCarey, 1958), 43 (1) 93. The Thing From Another World (Christian Nyby, 1951), 42 (2) 94. Lola Montès (Max Ophüls, 1955), 41 (2) 95. The Life of Oharu (Kenji Mizoguchi, 1952), 40 (2) 96. The Incredible Shrinking Man (Jack Arnold, 1957), 39 (4) 97. Nights of Cabiria (Federico Fellini, 1957), 39 (3) 98. Anticipation of the Night (Stan Brakhage, 1958), 38 (1) 99. An Affair to Remember (Leo McCarey, 1957), 37 (1) 100. Gun Crazy (Joseph H. Lewis, 1950), 36 (2)
101. Le ballon rouge / The Red Balloon (Albert Lamorisse, 1956), 36 (2) 102. Scrooge (Brian Desmond-Hurst, 1951), 36 (1) 103. The African Queen (John Huston, 1950), 35 (3) 104. The Naked Spur (Anthony Mann, 1953), 35 (1) 105. Angel Face (Otto Preminger, 1952), 34 (1) 106. Nachts, wenn der Teufel kam (Robert Siodmak, 1957) 107. Hiroshima mon amour (Alain Resnais, 1959), 33 (2) 108. To Catch a Thief (Alfred Hitchcock, 1955), 32 (2) 109. Ashes and Diamonds (Andrzej Wajda, 1958), 32 (1) 110. Suddenly, Last Summer (Joseph L. Mankiewicz, 1959), 32 (1) 111. Where Danger Lives (John Farrow, 1950), 32 (1) 112. The Trouble With Harry (Alfred Hitchcock, 1955), 31 (3) 113. Plan 9 from Outer Space (Edward D. Wood Jr., 1959), 31 (2) 114. A Generation (Andrzej Wajda, 1955), 31 (1) 115. Last Holiday (Henry Cass, 1950), 31 (1) 116. Odds Against Tomorrow (Robert Wise, 1959), 31 (1) 117. Bad Day at Black Rock (John Sturges, 1955), 30 (2) 118. The Man in the White Suit (Alexander Mackendrink, 1951), 30 (1) 119. Viaggio in Italia (Roberto Rossellini, 1954), 30 (1) 120. Magnificent Obsession (Douglas Sirk, 1954), 29 (1) 121. Detective Story (William Wyler, 1951), 28 (1) 122. Jeux interdits (René Clément, 1952), 28 (2) 123. Imitation of Life (Douglas Sirk, 1959), 28 (1) 124. Der Untertan (Wolfgang Staudte, 1951), 28 (1) 125. The Ladykillers (Alexander Mackendrick, 1955), 27 (2) 126. The Man Who Knew Too Much (Alfred Hitchcock, 1956), 27 (2) 127. The Seventh Seal (Ingmar Bergman, 1957), 27 (2) 128. A Face in the Crowd (Elia Kazan, 1957), 26 (1) 129. Forty Guns (Sam Fuller, 1957), 26 (1) 130. Journal d’un curé de champagne / Diary of a Country Priest (Robbert Bresson, 1951), 26 (1) 131. The Rose Tattoo (Daniel Mann, 1955), 26 (1) 132. Giant (George Stevens), 1956), 25 (1) 133. His Kind of Woman (John Farrow, 1952), 25 (2) 134. Solomon and Sheba (King Vidor, 1959), 25 (1) 135. There’s Always Tomorrow (Douglas Sirk, 1956), 25 (1) 136. Storm Warning, Stuart Heisler, 1951), 23 (1) 137. Creature from the Black Lagoon (Jack Arnold, 1954), 22 (2) 138. Mon oncle (Jacques Tati, 1958), 22 (2) 139. Shane (George Stevens, 1953), 22 (1) 140. The Bad Seed (Mervyn LeRoy, 1956), 22 (1) 141. The Big Knife (Robert Aldrich, 1955), 21 (1) 142. Caged (John Cromwell, 1950), 21 (1) 143. The Deadly Mantis (Nathan Juran, 1957), 20 (1) 144. The Steel Helmet (Samuel Fuller, 1951), 20 (1) 145. On Dangerous Ground (Nicholas Ray, 1952), 20 (1) 146. Our Man in Havana (Carol Reed, 1959), 20 (1) 147. Eaux d’artifice (Kenneth Anger, 1953), 19 (1) 148. The Day the Earth Stood Still (Robert Wise, 1951), 18 (2) 149. Les cousins (Claude Chabrol, 1959), 18 (1) 150. The Harder They Fall (Mark Robson, 1956), 18 (1)
151. Invaders from Mars (William Cameron Menzies, 1953), 18 (1) 152. Rancho Notorious (Fritz Lang, 1953), 18 (1) 153. Where the Sidewalk Ends (Otto Preminger, 1950), 18 (1) 154. Stalag 17 (Billy Wilder, 1953), 17 (2) 155. Orphée (Jean Cocteau, 1950), 17 (1) 156. Patterns (Fielder Cook, 1955), 17 (1) 157. Silver Lode (Alan Dwan, 1954), 17 (1) 158. The Crucified Lovers (Kenji Mizoguchi, 1954), 16 (1) 159. The Hidden Fortress (Akira Kurosawa, 1958), 16 (1) 160. Park Row (Sam Fuller, 1952), 16 (1) 161. Buchanan Rides Alone (Butt Boeticher, 1958), 15 (1) 162. Duck Amuck (Chuck Jones, 1953), 15 (1) 163. Queen Bee (Ranald MacDougall, 1955), 15 (1) 164. Orfeu negro / Black Orpheus (Albert Camus, 1959), 14 (1) 165. Track of the Cat (William A. Wellman, 1954), 13 (2) 166. House By the River (Fritz Lang, 1950), 13 (1) 167. The Quatermass Xperiment (Val Guest, 1955), 13 (1) 168. The Phenix City Story (Karlson, 1955), 13 (1) 169. The Tales of Hoffmann (Powell & Pressburger, 1951), 13 (1) 170. Teacher’s Pet (George Seaton, 1958), 13 (1) 171. The Black Shield of Falworth (Rudolph Maté, 1954), 12 (1) 172. I Confess (Alfred Hitchcock, 1953), 12 (1) 173. The Wrong Man (Alfred Hitchcock, 1956), 12 (2) 174. Senso (Luchino Visconti, 1954), 12 (1) 175. Them! (Gordon Douglas, 1954), 12 (1) 176. Es geschah am hellichten Tag (Ladislao Vajda, 1958), 11 (2) 177. Le beau Serge (Claude Chabrol, 1958), 11 (1) 178. The Burmese Harp (Kon Ichikawa, 1958), 11 (1) 179. The Railroad Man (Pietro Germi, 1956), 11 (1) 180. Young Man with a Horn (Michael Curtiz, 1950), 11 (1) 181. Lucky Me (Jack Donohue, 1954), 10 (1) 182. Prince Valiant (Henry Hathaway, 1954), 10 (1) 183. Sabrina (Billy Wilder, 1954), 10 (1) 184. The Tall T (Budd Boeticher, 1957), 10 (1) 185. Die Brücke (Bernhard Wicki, 1959), 9 (1) 186. Casque d’or (Jacques Becker, 1952), 9 (1) 187. Genevieve (Henry Cornelius, 1953), 9 (1) 188. Le notti bianchi / White Nights (Luchino Visconti, 1957), 9 (1) 189. Artists and Models (Frank Tashlin, 1956), 8 (1) 190. Bend of the River (Anthony Mann, 1952), 8 (1) 191. Cat On a Hot Tin Roof (Richard Brooks, 1958), 8 (1) 192. The Flame and the Arrow (Jacques Tourneur, 1950), 8 (1) 193. Harvey (Henry Koster, 1950), 8 (1) 194. Das Mädchen Rosemarie (Rolf Thiele, 1958), 8 (1) 195. The Sniper (Dmytryk, 1952), 8 (1) 196. Stage Fright (Alfred Hitchcock, 1950), 8 (1) 197. The Man Who Never Was (Ronald Neame, 1956), 7 (1) 198. Show Boat (George Sidney, 1951), 7 (1) 199. Verboten! (Samuel Fuller, 1959), 7 (1) 200. World of Apu (Satyajit Ray, 1959), 7 (1)
201. 3:10 to Yuma (Delmer Davies, 1957), 6 (1) 202. Good Morning (Yasujiro Ozu, 1959), 6 (1) 203. I vitelloni (Federico Fellini, 1953), 6 (1) 204. Anders als du und ich (Veit Harlan, 1957), 5 (1) 205. Attack! (Robert Aldrich, 1956), 5 (1) 206. The Caine Mutiny (Edward Dmytryk, 1954), 5 (1) 207. Seven Brides for Seven Brothers (Stanley Donen, 1955), 5 (1) 208. The Damned Don’t Cry (Vincent Sherman, 1950), 4 (1) 209. Le plaisir (Max Ophüls, 1952), 4 (1) 210. Richard III (Laurence Olivier, 1956), 4 (1) 211. The Barefoot Contessa (Joseph L. Mankiewicz, 1954), 3 (1) 212. Free Radicals (Len Lye, 1958), 3 (1) 213. Anne of the Indies (Jacques Tourneur, 1951), 2 (1) 214. High School Confidential (Jack Arnold, 1958), 2 (1) 215. The Key ( Carol Reed, 1959), 2 (1) 216. The Lineup (Don Siegel, 1958), 2 (1) 217. Dementia (John Parker, 1955), 1 (1) 218. Last Train From Gun Hill (John Sturges, 1958), 1 (1) 219. Marty (Delbert Mann, 1954), 1 (1) 220. Rosen für den Staatsanwalt (Wolfgang Staudte, 1959), 1 (1) 221. The Seven Year Itch, (Billy Wilder, 1955), 1 (1) 222. Shadows (John Cassavetes, 1959), 1 (1) 223. Sirocco (Curtis Bernhardt, 1951), 1 (1)
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Last edited by Camera Obscura on 05 Nov 2011, 16:23, edited 1 time in total.
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